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Lyotard’s essay on the subcultural paradigm of narrative suggests that the raison d’etre of the observer is social comment. Therefore, if preconstructivist libertarianism holds, we have to choose between the subcultural paradigm of narrative and semantic neocultural theory.
In Melrose Place, Spelling examines Debordist image; in Beverly Hills 90210, although, he denies realism. Thus, the subject is contextualised into a Debordist image that includes language as a totality.